Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Bernardo Bellotto
Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche

ID: 94027

Bernardo Bellotto Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche
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Bernardo Bellotto Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Canaletto | View of Praga with Bernardine church | Square with the Kreuz Kirche in Dresden | Zwinger Waterway | The New Market Square in Dresden Seen from the Judenhof |
Related Artists:
MOSTAERT, Jan
Dutch Northern Renaissance Painter, ca.1472-1555
Karl Heffner
painted Am Ufer in 1849 - 1925
GRIMMER, Abel
Flemish Baroque Era Painter, ca.1570-C.1619 Son of Jacob Grimmer. He married Catharina Lescornet on 29 September 1591 and in 1592 became a master in the Antwerp Guild of St Luke. He is principally known for his numerous small paintings of country scenes, sometimes with a biblical theme, which often form part of a series of the Four Seasons or the Months of the Year. Some of these paintings were inspired by or even copied from prints by Pieter Bruegel I and Hans Bol, both of whose work strongly influenced Abel, even more so than did the example of his father's work, which was also an important source of inspiration. Abel's series of the Twelve Months (1592; Montfaucon-en-Velay, Haute-Loire, Chapelle Notre-Dame) are exact copies of Adriaen Collaert's prints after Hans Bol (Hollstein: Dut. & Flem., iv, nos 523-34), published by Hans van Luyck ( fl c. 1580-85) in 1585. Spring and Summer (Antwerp, Kon. Mus. S. Kst.) are almost exact copies of two prints by Pieter van der Heyden






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